The Idea of South (I-III)

Parumveer Walia

See it On Campus: Level 2

The Idea of South (I-III) examines desire in the Global South through diasporic aesthetics, unveiling the sensuous, mysterious, and unfixable nature of gazing. The three light boxes frame the viewer ambiguously – perhaps a lover, perhaps a voyeur. Hiding in plain sight, the unstated teems with the desire to uncover and touch.

An idyllic, fantastical view images waiting, singular figures but teems with a somewhat morose, perverse, undecidedness. Despite their stillness and austerity, the images beset motion, suggesting the forthcoming, unsure moment.

Through the form of the miniature, the work borrows from the traditions of Mughal and Persian miniature painting, imaging the contemporary South Asian subject in an intimate and grounded scale. The light box appropriates the Western form, consuming the canon to re-imagine and configure new possibilities.

Parumveer Walia

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Parumveer Walia (b. Chandigarh, India) expands photography across video, installation, and other media to examine queerness as subject, aesthetic, and culture. Through researching archives and socio-political episodes, Walia interweaves historical accounts and research with his lived experiences, hybridizing experience and outwardly mapping a larger cultural terrain. This is translated into a formal language that might be described as a “Third Space”, embracing contradictions between still/moving, image/object, fiction/history and more, grounding opacity and the untenable as a visual strategy. Through re-photography and appropriation, his works prods at the photograph as a sense-making document, studying the aspirations, slippages, and failures of the image.

Walia works between India and Canada and is graduating from Emily Carr with a Bachelor in Fine Arts and a minor in Curatorial Studies. He was a finalist for the Philip B. Lind prize, Canada’s largest prize for emerging artists, and is currently Executive Director and Curator at Unit 302 for 2025. Latest exhibitions include Pause at Gallery 881 (Canada), BINNAR Arts Festival (Portugal) and Paxos Biennale (Greece). Walia’s photo book project, From Water We Are Born, is set to release in 2025.

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