The Here Thereafter

Emma Bradshaw

Love Has Filled Me With Joy and Mischief, 2025. Ceramic, mixed media

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Any time

And any place then

Everybody in reaction

Any time

And any moment

How normal all the tragic feels

How tragic all the normal is

Thereafter, the laughter

The real, enraptured

– From “Spirit Boy” by Gang of Youths

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The Here Thereafter is an exploration of the tragic and beautiful ways trauma and grief reshape us and our interactions with the world. The series explores how profoundly these experiences can effect us, creating a fixed before and after. The objects in the series stretch several years and a few different mediums, but all are tied by these explorations of pain and healing and what it means to exist in the aftermath, in the context of all that has happened.

The Exceptions, 2024. Ceramic and wire | The Exceptions (Musings), 2024. Mixed media collage

Devious Young Thing, 2024. Ceramic

What Will the Mourning Look Like?, 2025. Ceramic

Rain Will Fall but the Sun Stays Ever in the Sky, 2024. Mixed Media

Sacred Family Heirloom, 2023. Ceramic

Coyote Mask, 2023. Ceramic | Sacred Steer, 2024. Ceramic, mixed media | Crow Mask, 2023. Ceramic

Starla, 2025. Mixed Media

Starla Is a personal favourite and the final work I created at Emily Carr. She is an articulated doll inspired by old porcelain dolls and the works of Beatrix Potter. Her head and limbs were hand-built with clay, the rest of her body was crafted with wire, cloth, yarn, and medical tape. The outfit Starla wears was fully patterned and sewn myself with many small elements added for extra detail.

Emma Bradshaw

Emma Bradshaw was originally from a farm near the hamlet of Darwell, AB. She moved around quite a bit growing up, living in Kamloops, BC; Red Deer, AB; Innisfail, AB; and Sylvan Lake, AB. Emma is now based in Vancouver and works as an artist and instructor teaching ceramics and pottery to her local community with a passion for working with kids.

Inspirations behind her work include the flora and fauna of Western Canada, her Irish and Dutch heritage, and her connections to theatre. Both of Emma’s parents were theatre instructors, actors, and directors with a love for Shakespeare. This connection is what gives her work its unique gothic, ornate, and maximalist aesthetic, along with its distinct theatrical presentation.

Emma’s work explores themes of generational trauma, class, identity, femininity, disability, and the journey for peace and healing through reconnection to our pasts, our ancestors, our cultures, and ourselves.

Through implementing decoration, pattern, and adornment as tools for narrative building and storytelling, she aims to let her audience explore difficult topics in a tender and beautiful way. She invites the viewer to get lost in the details, finding a part of themselves in the world she’s made.

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