I am in the guts of this house

Pip Mamo

The walls shiver as they wake

Hand-dyed fabric, embroidery floss, found objects, thread.

The Walls Shiver as They Wake was the final installation for my MFA thesis research. It utilizes the imagery of the haunted house to reflect on the way both homes and objects become extensions of our bodies and minds. The haunted house is a home that has been invaded, disrupted, and disoriented. This work explores how disturbance to the home can function as a way to speak about illness, the out of control body, psychological distress, and tension between women and domestic spaces. In The Walls Shiver as They Wake, textiles, poetry, and found objects transform the gallery space into haunted rooms embroidered with fragments of poetry. The fabric walls shift as the viewers move through the space, inviting them to consider how their bodies relate to the spaces they inhabit, and the connection between body and home.

If my body is my home, illness has undone its domestication. Things live in my walls, my floorboards creak with invisible footsteps, and things lay in wait behind my doors.

The fabric panels in The walls shiver as they wake are embroidered with portions of a poem that is part diary entry and part haunted house story. This poem is fragmented and dispersed, unable to be read in its entirety. Instead, it is encountered gradually as you move through the installation. The exterior walls contain the climax of the story, which is transcribed for you here.

 

What does this house do while I am asleep?

Hand-dyed fabric, embroidery floss, found bed frame

What does this house do while I am asleep? is an early iteration of this body of work. It focuses on the bed as both an object and a symbol of our bodies. Objects become extensions of ourselves, and we form intimate relationships with our possessions. We are especially reliant on our beds to keep us safe. While we sleep, we are open, exposed, vulnerable, and completely unaware of the world around us.

Pip Mamo

Pip Mamo is a multidisciplinary artist who works with a variety of textile practices, including knitting, embroidery, natural dyeing, and spinning, in tandem with found objects, concrete, and immersive installations. Their practice explores the connection between body and home, and how disturbance to the home can function as a way to speak about illness, bodily disorientation, and tension between women and domestic spaces. By using installation features such as suspension, movement, claustrophobia, and embroidered text, their work draws attention to the tenuousness of stability and health. They completed their BFA at UBC Okanagan in 2021. They have exhibited across British Columbia, including at the Alternator Centre for Contemporary Art, the Kelowna Art Gallery, and the Seymour Gallery, and received the Audain Foundation Travel Award in 2021. They currently reside on the unceded territory of the Syilx Okanagan Nation.

Profile image of Pip Mamo

Release Granted